GOLD is the epic tale of one man’s pursuit of the American dream, to discover gold. Starring Matthew McConaughey as Kenny Wells, a prospector desperate for a lucky break, he teams up with a similarly eager geologist and sets off on an journey to find gold in the uncharted jungle of Indonesia. Getting the gold was hard, but keeping it would be even harder, sparking an adventure through the most powerful boardrooms of Wall Street. The film is inspired by a true story.
Directed by Stephen Gaghan, the film stars Matthew McConaughey and Edgar Ramirez and Bryce Dallas Howard. The film is written by Patrick Massett & John Zinman. Teddy Schwarzman and Michael Nozik served as producers alongside Massett, Zinman, and McConaughey.
: The theatrical cut includes an opening narration by Dr. Schreber (Kiefer Sutherland) that explains the aliens' plan immediately. The Director's Cut removes this, allowing the mystery to unfold naturally alongside the protagonist.
Why x264 instead of HEVC/x265? The keyword claims this version is , and for this specific film, it is. x264 handles grain better at lower bitrates than early x265 encodes did. Because Dark City is a film of shadows, rain, and textured walls (thanks to production designer Patrick Tatopoulos), you need a codec that preserves noise. The x264 encode of the 1998 DVD rip provides a "lossy but transparent" experience at roughly 2.5–3.5 GB. It avoids the "blocking" found in divx-era rips and the "smeared" look of modern over-compressed streams.
: The theatrical cut includes an opening narration by Dr. Schreber (Kiefer Sutherland) that explains the aliens' plan immediately. The Director's Cut removes this, allowing the mystery to unfold naturally alongside the protagonist.
Why x264 instead of HEVC/x265? The keyword claims this version is , and for this specific film, it is. x264 handles grain better at lower bitrates than early x265 encodes did. Because Dark City is a film of shadows, rain, and textured walls (thanks to production designer Patrick Tatopoulos), you need a codec that preserves noise. The x264 encode of the 1998 DVD rip provides a "lossy but transparent" experience at roughly 2.5–3.5 GB. It avoids the "blocking" found in divx-era rips and the "smeared" look of modern over-compressed streams.
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