Eddie Harris Intervallistic Concept Pdf |link|

Eddie watched the spread with something like pride and something like alarm. His concept was being bent in ways he hadn’t intended—intervals traded like merchandise, hooks carved out of conversations. He could have chased the copies down, but he remembered nights of improvisation when not knowing what would come next was the point. Instead, he began to annotate again.

Given that the original PDF is rare, here are legitimate pathways for the serious student: eddie harris intervallistic concept pdf

Start on a note (C). Ascend by a Major 3rd (to E). Ascend by a Major 3rd from E (to G#/Ab). Ascend by a Major 3rd from Ab (to C). You have landed back on C after 3 leaps. That is a closed cycle . Eddie watched the spread with something like pride

Instead of thinking of chords (Cmin7, G7, etc.), Harris encourages players to think in terms of interval relationships from a chosen note. Any interval can be played over any chord as long as it is executed with rhythmic and melodic conviction. Instead, he began to annotate again