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Eliyas recalled the iconic scene in Kireedam where Sethumadhavan, the protagonist, is shattered by circumstances. It wasn't just a tragedy; it was a cultural commentary on how society corrupts the innocent. It resonated because Kerala has always been a society that champions the underdog but is simultaneously helpless against systemic rot.

These aren’t “message films” – they are . The leftist, rationalist, and reformist undercurrents of Kerala society show up naturally in scripts. Eliyas recalled the iconic scene in Kireedam where

, known as the father of Malayalam cinema. Early films were often adaptations of literary works or mythological tales. The Golden Age (1950s–1980s): These aren’t “message films” – they are

Kerala is unique in India for its political history—alternating between Communist (LDF) and Congress-led (UDF) governments. Malayalam cinema serves as a barometer for this political consciousness. Films like Kerala Varma Pazhassi Raja (historical resistance) and Lal Salam (leftist ideology) are not just films; they are political statements. Early films were often adaptations of literary works

, released in 1930. The transition to sound followed in 1938 with the film

Their films often serve as cultural diagnostics. When Mohanlal starred in Drishyam (2013), it wasn't just a thriller; it was a dissection of the Malayali obsession with cinema itself (the protagonist uses movie plots to build an alibi). When Mammootty starred in Paleri Manikyam (2009), it was an investigation of caste violence and historical memory.

Some notable films: