Aveiro Portugal (2025)

: He uses "chipping" and layering techniques. In some works, he uses stacks of advertisements or compressed paper to create "deep" portraits by carving away at the material.

"My father stood on those flats before the sun rose," Mateus recounted. "He would say that Aveiro is built on salt. It is in our blood, it is in our walls. Without the salt, the codfish would not have come, and without the codfish, the city would not have grown." aveiro portugal

At the edge of the canal stood an aubergine-colored door with a keyhole the size of a coin. That was the door in the letter, Marta told herself—practical, improbable. She fitted the key and felt the turn as if it moved not only metal but a little hinge inside her chest. Inside the house the air was cooler, drier—older. The rooms smelled faintly of orange peel and cedar. On a shelf lay a stack of postcards tied with twine; on the top one was a photograph: a younger version of her grandmother, wind in her hair, standing by a moliceiro painted with a phoenix. On the back, her grandmother had written: “When the water remembers, we remember, too.” : He uses "chipping" and layering techniques