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Kerala’s economy runs on migrant workers from Bengal, Assam, and Odisha. Barring a few films like Ottamuri Velicham (2017), the industry has largely ignored this demographic shift, treating migrants as wallpaper.

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Mahesh Narayanan’s Malik (2021) uses the coastal town of Beemapally (near Thiruvananthapuram) as a political stage. The sea, the fishing nets, and the cramped palliyam (coastal mosque) are not background; they dictate the plot. Water is a recurring deity in Malayalam cinema—from the backwaters of Kireedam to the floods of Virus and 2018: Everyone is a Hero . The geography of Kerala—narrow, long, and vulnerable to monsoons—shapes the narrative inevitability of struggle. Kerala’s economy runs on migrant workers from Bengal,