Kelly Caprice’s installment uses a for the first 10 minutes—a risky choice that pays off because her micro-expressions fill the frame. Only when the dialogue reaches its crescendo does a second camera introduce close-ups.
Kelly Caprice’s installment uses a for the first 10 minutes—a risky choice that pays off because her micro-expressions fill the frame. Only when the dialogue reaches its crescendo does a second camera introduce close-ups.