Now boasting a 100% brighter screen, increased processing power, and faster graphics engine, the Tiger Touch II is the most specified Titan console.
The Avolites Tiger Touch II represents the perfect combination of power and portability. This third-generation console is packed with enough power for complex shows, yet small and light enough to fly in standard hold luggage. The console features SMPTE timecode support and a redesigned button layout to match the entire Titan range.
In order to update the console to version 12 of the Titan, it will be necessary to purchase and install a USB dongle called AVOKEY.
Serial 02006 - 03065
You need to order:
- AVOKEYINT
- 1x5 way to USB-A Cable (spare part code 8000-6102)
Once you've received your AVOKEYINT and 1x5 way to USB-A Cable, you will be required to connect the USB-A Cable to the motherboard. This cable will provide an additional USB port for the AvoKey.
Click here to view the installation guide: https://www.avolites.com/Portals/0/Downloads/Manuals/AvoKey/8000-6102 TT2-2-3K AVOKEY upgrade with 1808-0028.pdf
Serial 03066 - 4020
You need to order only AVOKEYINT
Once you've received your AVOKEYINT, you will be required to connect this directly to the available (Blue) USB port inside the console (on the motherboard).
Click here to view the installation guide: https://www.avolites.com/Portals/0/Downloads/Manuals/AvoKey/8000-6101 TT2 AVOKEY no cable.pdf
Serial 04021 - 05001
You need to order only AVOKEYINT
Once you've received your AVOKEYINT, you will be required to connect this directly to the available (Red) USB port inside the console (on the motherboard).
Serial 5001 and above include a factory fitted AvoKey.
Therefore, you do not need to purchase an AvoKey.
Take Sandhesam (1991): A hilarious take on regional chauvinism between Keralites working outside the state. The famous dialogue—"I am a Malayali... evide poyalum Malayali" (No matter where I go, I am a Malayali)—is a celebration and a parody of the Malayali diaspora’s arrogance. Similarly, Mithunam (1993) turned a houseboat conversation between two aging leftist ideologues into a cultural sensation, exploring how political dogma decays into personal rivalry.
Early Malayalam Cinema and the Making of a Modern Malayali Identity
Unlike many larger film industries, Malayalam cinema is celebrated for its "lived-in" feel and "effortless" acting . This naturalism allows filmmakers to tackle complex themes like: : Recent hits like Kumbalangi Nights
: Analyzes the industry's transition from a regional art form to a globally recognized presence. It highlights the "Golden Era" (mid-70s to 90s) and how the Gulf migration boom injected critical capital into the market. Malayalam New Wave Cinema in 2024 and 2025
: Scholars and activists have pointed out historical biases, such as the marginalization of Dalit and Adivasi women and the dominance of upper-caste narratives in earlier decades. 3. The Evolution of "Laughter-Films"
That night, as the rain softened to a whisper, Sethu pulled out his dusty sketchbook. He drew his wife first—not as a nurse, but as a warrior queen standing on a cliff, the Arabian Sea behind her. Then he drew Parvati—not as a student, but as a detective in a raincoat, holding a magnifying glass to a clue.
Take Sandhesam (1991): A hilarious take on regional chauvinism between Keralites working outside the state. The famous dialogue—"I am a Malayali... evide poyalum Malayali" (No matter where I go, I am a Malayali)—is a celebration and a parody of the Malayali diaspora’s arrogance. Similarly, Mithunam (1993) turned a houseboat conversation between two aging leftist ideologues into a cultural sensation, exploring how political dogma decays into personal rivalry.
Early Malayalam Cinema and the Making of a Modern Malayali Identity
Unlike many larger film industries, Malayalam cinema is celebrated for its "lived-in" feel and "effortless" acting . This naturalism allows filmmakers to tackle complex themes like: : Recent hits like Kumbalangi Nights
: Analyzes the industry's transition from a regional art form to a globally recognized presence. It highlights the "Golden Era" (mid-70s to 90s) and how the Gulf migration boom injected critical capital into the market. Malayalam New Wave Cinema in 2024 and 2025
: Scholars and activists have pointed out historical biases, such as the marginalization of Dalit and Adivasi women and the dominance of upper-caste narratives in earlier decades. 3. The Evolution of "Laughter-Films"
That night, as the rain softened to a whisper, Sethu pulled out his dusty sketchbook. He drew his wife first—not as a nurse, but as a warrior queen standing on a cliff, the Arabian Sea behind her. Then he drew Parvati—not as a student, but as a detective in a raincoat, holding a magnifying glass to a clue.
