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Today’s consumer is ironic, skeptical, yet deeply sincere. We binge a dystopian thriller about societal collapse, then immediately watch a "cozy" video of someone baking bread in a cottage. We demand "representation" but critique it ruthlessly for "tokenism." The fourth wall has been demolished. Audiences now understand tropes, narrative structures, and marketing beats better than most executives. Consequently, entertainment has become meta . Shows like The Boys or Succession thrive because they assume the audience is literate in the very clichés they are subverting.

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