0%
This decay is the comic’s central metaphor. The Crossed plague initially destroyed bodies, but time has now destroyed the mind of humanity. Future Taylor is a tragic figure precisely because she clings to the remnants of old grammar. She is a historian without a historical methodology, trying to reconstruct Shakespeare from a handful of tattered pages she can barely decipher. Moore suggests that even if the Crossed were all killed, humanity has already lost the war—not to violence, but to entropy of meaning.
The genius of Crossed +100 (set, as the title suggests, 100 years after "Crossed +1"—the day the first infected appeared) is its language. Moore, working with artist Gabriel Andrade, introduces a future dialect of English. Characters speak in a compressed, linguistic shorthand born from isolation and the loss of media, education, and context. “Future” becomes “futch.” “Probably” is “probly.” They refer to the original Crossed outbreak as “the surfacing.” crossed 1 comic
The success of can be attributed, in large part, to the creative team behind it. Garth Ennis, a veteran comic book writer, brings his trademark wit and irreverence to the series. His script work is complemented by the detailed, expressive artwork of John Cassaday, who imbues the characters with a sense of realism and depth. This decay is the comic’s central metaphor
The first volume (Issues 0–9) is widely considered the strongest entry in the franchise. Exploring CROSSED - Page Chewing She is a historian without a historical methodology,
Rick: We'll work together. My people know how to deal with walkers.