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As the cultural zeitgeist shifted, so too did the portrayal of this humble pastry. The 1970s and 80s brought a wave of "kitchen sink" realism and, conversely, a rise in absurdism. In the realm of comedy, the pie underwent a transformation from a sacred object to a slapstick weapon. The "pie fight" became a staple of vaudevillian humor carried into film, most notably in the work of the Marx Brothers and later in summer camp comedies like Meatballs or Stripes . Here, the pie ceased to be about family unity and instead became an agent of disruption—a tool to puncture the seriousness of authority and to deflate the pretensions of the elite. The smashing of a pie into a face was a rejection of the stiff formality of the previous generation’s domestic ideals.