Anna is a daughter of the revolution. She can say and do anything sexually, yet she is miserable. The film implies that psychological liberation did not follow legal or performative liberation. The real taboo, in 1980, is admitting that freedom has failed.
Taboo polarized critics and audiences. Admirers praised its fearless imagination, visual audacity, and willingness to tackle repressed subjects; detractors criticized its indulgence, historical liberties, and shock tactics. For viewers interested in expressive cinema that privileges mood, symbol, and transgressive content over linear biography, Russell’s film remains a compelling, if controversial, work. movie taboo 1980
Unlike many of its contemporaries, Taboo was noted for attempting a more psychological approach to its narrative, focusing on an incestuous attraction between a mother (Parker) and her son. This provocative subject matter pushed the boundaries of adult cinema, moving beyond simple vignettes into what some critics viewed as a more structured, albeit highly controversial, family drama. Key Cast and Crew Anna is a daughter of the revolution