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Simultaneously, Mammootty’s Ambedkar (2000) or Oru Vadakkan Veeragatha (1989) reframed the folklore of Vadakkan Pattukal (Northern Ballads). These ballads, sung in a specific dialect of Malabar, were reinterpreted to question feudalism and honor. This is a distinctly Keralite phenomenon: you cannot understand Mammootty’s stardom without understanding the caste dynamics and the Thekkan (Southern) vs. Vadakkan (Northern) cultural rivalries of Kerala.

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