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From the early Newsprint to the recent Kumbalangi Nights (which featured a character quoting Marxism in a riverside shack), political ideology is a character trait. However, modern Malayalam cinema has moved past propaganda to nuance. Nayattu (The Hunt) is a masterclass in this. It follows three police officers (from marginalized castes) on the run after a fake encounter. The film is not anti- or pro-police; it is anti-system. It shows how Kerala’s bureaucratic machinery crushes the little guy, regardless of the party in power.
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